



Once you learn the signature look of a PFE, you will notice them used everywhere. This also seems to reflect the percentages I see in a lot of the larger colour grading houses that have come from a from a film background. I use them for maybe 70% of my TV commercial work and maybe 90% of my narrative work. The use of PFE LUTs purely as a creative choice is now probably more popular than ever. It has shifted from being a necessity in the post production process, to being a creative choice. This has seen the role of the PFE LUT change. With the advent of digital projection, film as an exhibition format is pretty much extinct. Print Film Emulation As a Creative Choice If the LUT was accurate and had done its job, the resulting film print would be close to identical to the preview you had been viewing on your monitor. Prior to going to print you would remove the LUT and then print your project onto the print film stock. This LUT was traditionally applied at the monitoring level so that your grade would sit below it in the image display pipeline. To achieve this accurately your monitoring setup also needs to be profiled so that the generated LUT takes into account your monitoring pipeline plus all the lab variables and all the qualities of the actual print stock. It accurately emulates the density and colour response of the print film, to give you an accurate preview on your grading monitor, prior to going to print. Print film emulationĪ print film emulation (PFE) LUT previews how your image will look when printed onto a print film stock. They can also be used to correct the output of a device, for example a monitor calibration LUT generated from profiled data.Īnother common use is to allow you to preview how your image will look when displayed on a different format or device. They can be creative, such as the teal and orange look or the thousands of other looks offered by the creative preset LUTs. They can be technical, for example converting a log image into Rec709. 709 is the normal-looking footage with good contrast and saturation.) Full LUT list:Ģ001: A Space Odyssey LUTsA Quiet Place LUTsįeel free to contact us at No matter how big or small your question is, we'll make sure to get back to you.In simple terms, a look up table (LUT) translates one set of values into another set of values. They help you transform the look of your entire film by changing your colors into the specific color palette.

In other words LUTs are the fastest way to color grade your footage. In the context of color grading, a LUT transforms color input values (camera) to your desired output values (final footage). LUT (known as Lookup Table) is a term used to describe a predetermined array of numbers that provide a shortcut for a specific computation. Transform your videos and achieve the Hollywood film look with Movie LUTs Bundle V4.
